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Michael Barrett

Desert Noir: After ‘Charlie’s Angels’, Jaclyn Smith Makes a ‘Nightkill’ with Robert Mitchum (Review)

This deceptively marketed film is no masterpiece, yet some may appreciate its arid atmosphere of downbeat nightmare.

Sex in 1968: A Joe Sarno Double-Shot (Review)

All the Sins of Sodom and Vibrations’s tales of talky, restless, desperate, and sex-starved middle-class Americans.

‘Hopscotch’ is Anchored in Walter Matthau’s Playful, Irascible Personality (Short Ends and Leader)

With his novel, Hopscotch, Brian Garfield challenged himself to write a suspenseful spy tale in which nobody gets killed.

How It Slips Away: ‘The Breaking Point’ Crosses Hemingway With Noir (Short Ends and Leader)

Whether we’ve seen or read the story before, we ache for these sympathetic, floundering people presented to us gravely and without cynicism, even when cynical themselves.

Gremlins and the Housewife in ‘Don’t Be Afraid of the Dark’ (Short Ends and Leader)

The house itself wants to pull the neurotic woman into its maw and absorb her whole as a literal housewife.

‘The Prowler’ Reveals the Horror of Getting What You Want (Short Ends and Leader)

He carries the seeds of his own desperate, grasping, clammy doom…

Sympathy for the Devil: Two Supernatural Fantasies from René Clair (Review)

I Married a Witch and Beauty and the Devil enjoy sophisticated evil.