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Date

April 2, 2017

Lana Del Rey’s “Love” in the Era of Trump (Column)

“Love” makes me wonder if we’ve misheard Del Rey’s use of nostalgia, mistaking it for the rose-colored (and heart-shaped) variety when instead it produces a fog.

In Film as in War, There’s What Remains in Its Wake: ‘Apocalypse Child’ (Review)

Apocalypse Child is a wonderful slice-of-life drama that thrives in the space between truth and fiction.

Mainstream Darko: Director Richard Kelly on Building His Own Sandbox (Feature)

Much as Donnie Darko claimed widespread fame by defying both convention and expectation, Kelly is fighting to bring the mainstream to him on his own terms.

The New Pornographers: Whiteout Conditions (Review)

Whiteout Conditions continues the New Pornographers’ traditions of great hooks and vocals while increasing the band’s use of synths even more than on their last album.

Imagine a World of Trees — Without Us (Review)

Bloomsbury’s Object Lessons’ installment, Tree, brings to the fore our complicated relationship with this life form.

NOVEMBER – Days of Fortune

reviewed by Kaitlin Ruether Have you ever seen a ship in a bottle? Have you ever really looked at one? All the little wires and planks, the meticulously crafted details that make the piece a work of art.… (in post Review – “OLYMPIA” – NOVEMBER from Grayowl Point. More by this artist at )

Pulco – Trychinebau

i am always happy to post about a new pulco album. this one ‘o’r tu allen’, highly experimental and noisy (‘born out of a desperate need to play guitar with a whisk ‘) and done mostly in welch, is actually… (in post pulco – o’r tu allen from The Modern Folk. More by this artist at )